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The Connecticut
State Library and Supreme Court Building
We hope you enjoy this online exhibit
that describes the construction of the building from 1908-1910, as well
as the architectural details that still impress us today.
Click on "begin" to view the entire
exhibit, or choose a particular area of the building by clicking on the
links below:
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Construction and Exterior
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The newly built Connecticut
State Library and Supreme Court Building at 231 Capitol Avenue in Hartford
was described in 1910 as "one of the most beautiful structures in this country
and said by some to be the handsomest building in New England."
Hartford Courant Dec. 17, 1910, p. 18
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Prior to 1910, the State
Library was located in the State Capitol, where it had been housed since
1878. By 1906, the space for the Library was inadequate. The
collections were dispersed in four locations throughout the building and
over 13,000 new items were being received each year. Portraits of
the Governors of Connecticut were displayed along the walls, and the Charter
of the Colony of Connecticut and other valuable archival material were stored
in free-standing vaults.
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In his 1906 Annual Report
State Librarian George Godard comments: "It has been my thought and
hope that some provisions might be made ...whereby all the books of the
library could be brought together, where the several portraits and paintings
could be properly and safely hung, where regularly constructed vaults for
invaluable records and papers might be accessible, and where rooms or special
apartments for study could be provided and proper provisions made
for the development and work of our State Library."
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The Commission to Make Repairs on the Capitol and
to Procure a Site for a New Building for State Officials was charged with solving
the space problem, not only for the State Library, but also for all the other agencies
that were residing in the State Capitol. A New York Sunday Herald article
from August 5, 1906 presented its solution:
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Barber of New York and E.T. Hapgood of Hartford envisioned a design
based on an adaptation of the Italian Renaissance style of architecture.
The design included three wings off of a central lobby, the State Library
on the left, Memorial Hall in the center and the Supreme Court on the
right. |

"According
to the architects, the classical features outlined in their proposal of 1906 expressed
the "dignified purpose of the building". Though not in the Gothic architectural
style of the Capitol, the similarity in "color and materials, scale and general
mass" between the two buildings ensured that the structures would "harmonize well".
Connecticut Bar Journal v. 67, 1993, p. 484

The property
purchased for the new building was directly across the street from the State Capitol.
This plot map indicates with a faint white T-shaped outline the placement for the
new building. The front stairs will be where the word "of" appears in "State
of Conn" in the foreground. All the surrounding properties were privately
owned.

With the groundbreaking on July 29,
1908, Godard's vision for a new library was underway. This photo taken Jan.
7, 1909, looking south from the State Capitol, shows the progress of the excavation.
The main entrance of the building will be near where the largest tree stands in
the middle foreground. The grid of planks on the right outlines the excavation
area for the Supreme Court. Washington Street in on the far left (east), Lafayette
Street on the near left (east) and Oak Street (partially shown) on the right (west).

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The builder and general contractor
for the project was Marc Eidlitz & Son of New York. Construction began
on October 23, 1908 and according to the terms of the contract, the building
was to be completed by October 1, 1910. This view is looking southeast,
toward Lafayette Street, and shows the excavation of the Memorial Hall and
Library sections of the building. The foundation for the central portion
of the building extends down to bedrock. Private residences were precariously
close.
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| Men excavated
the site with shovels and pickaxes and loaded the debris into horse-drawn
wagons. |
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| Looking south from
the State Capitol. Derricks are in place and foundation footings are
visible on the Library side (to the left). In the foreground on Capitol
Avenue, horse-drawn wagons are carting away debris while an automobile travels
down the street. Photo taken Jan.1, 1909. |

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Over 5 million bricks were used in
the construction; many were manufactured by the Tuttle Brick Co. of Middletown,
Connecticut. These men are laying bricks on January 22, 1909; the high temperature
was only 27 degrees.
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Looking
south into what will be the basements below Memorial Hall. The Library
is on the left side, the Court on the right. All the footings for
the building are of stone concrete, and the foundation walls, up to the
finished grade, are of brick laid in Portland cement mortar. Photo
taken February 5, 1909.
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Looking south from
the State Capitol on February 23, 1909. Foundation walls for the Supreme
Court side are visible (right) and progress continues on the granite exterior
walls of the Library side (left). The granite is from the Bethel Quarry
in Bethel, Vermont.
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Looking north on April 26, 1909.
The State Capitol is in the background. Bricklayers are working on
exterior basement walls. The steel beam will support the floor of
the ground level offices under Memorial Hall. The area will be used
for a packing room, repair shop and bindery, a general storeroom and a locker
room. The large rectangular opening with scaffolding at the middle
top of photo will be the entrance to Memorial Hall. In the center
of the photo, the small arched doorway with the ladder inside is still used
today at the bottom of the lobby stairs.
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| Many of the men
working on the project were Italian immigrants. One worker, Francesco
DeCorleto of Hartford, hid a letter in a wall and it was recently discovered.
Read "Message in the Wall", in
The Connector ,
April 2004 for details of the discovery.
Unidentified laborers
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| Looking south from
the State Capitol. Exterior walls are progressing for the Library
and Supreme Court Side. The three large arched opening in the center
are in the ground level probate vault. Horse- drawn wagons loaded
with debris head down Capitol Avenue. Balustrades under the Library
Reading Room windows have been installed. |
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| On May 25, 1909 the cornerstone
was laid in the northeast corner of the building facing Lafayette Street.
Library staff, including the Misses Penfield, Evans, Herman, Prickett, Yale
and Pearson celebrated on the Capitol lawn. The cornerstone
contains Connecticut and U. S. flags, books, photographs and coins, a piece
of the Charter Oak and the day's Hartford newspapers. |
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| Looking east toward Lafayette and Washington
Streets with the Supreme Court room in the foreground. Men are laying
bricks on what will be the front (north) side of the building. Workers
are also up on the balcony level of the Library Reading Room. The
stairs in the center background to the right of the derrick are off the
Balcony going to what is now level 6. The large rectangular opening
on the left of the stairs frames the big window on the east end of the balcony. |

By June 23,
1909, the T-shaped outline of the building was clearly evident. The State
Library on the left, the Supreme Court on the right, Memorial Hall (now part of
the Museum of Connecticut History) in the center. The ramp in front is leading
into the Main Lobby.
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Looking south from
the State Capitol. Roof
balustrades for the front and sides of the building
are being installed. On the Library side, steel
beams will support the roof over the stacks area. |
By September 1,
1909, the front facade is nearing completion. The three openings framed
in brick
above the main entrance are doorways in the high
attic. A horse and buggy wait on Capitol Avenue. |
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| Artisans on top of the scaffolding finish
decorative carvings over the main entrance. The granite pillars were
turned in Barre, Vermont, and each weigh 25 tons. Thirty-four granite
steps lead up to the entrance. The terms "Knowledge" "History"
and "Justice" are inscribed over the portal. |
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The back (south) of the
Supreme Court side of the building. Memorial Hall is on the right.
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| The back (south) of the Library side
of the building. Memorial Hall is on the left. Most of the
windows opened into the book stack area. Photo taken December
22, 1909. |
| The view from the roof looking
east. The sloping faces of the roof are covered with copper and the
flat portions with vitrified tile. The triangular skylights
will filter light into the attic areas. Memorial Hall is on the right with
three small windows and the huge skylight. The three windows on the
left are in the high attic. |
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Artistic landscaping
complimented the building and unified the site with the State Capitol Grounds.
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| Four ten-foot high
statues created by French sculptor Francis M. L. Tonetti adorn the intricately
carved pillars by the sides of the main entrance. Representations
of the Arts and Science are placed over the pillars on the Library side;
History and Justice decorate the Supreme Court side. They were completed
in September 1913 and lifted into place by crane the following month.
Information on the model for the "History" statue is available
at The Connector,
January 2001,"Rae M. Jones and "History".
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| Art |
History |
Justice |
Science |
Scroll to continue
or select a link below
THE MAIN LOBBY
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The magnificent Main Lobby.
"Passing through the main entrance one at once receives an impression
of sweeping arches, lofty pillars and impressive stairways..."
Hartford Courant Dec.17,1910,
p. 18. Tennessee Pink marble
is used in the flooring, base course, and treads of the stairs, while
Tavernelle Pink marble is used in all other areas.
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"The ceiling is of
plaster divided into deep plaster mouldings. These are ornate to the
extreme and consist of large octagonal and smaller square panels.
They are toned in white and light yellow to correspond to the general coloring
of the hall." Hartford Courant Dec.
17,1910 p. 18. Intricate carvings
beautify the marble pillars and doorways.
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Scroll to continue
or select a link below
MEMORIAL HALL
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Memorial Hall was designed
to properly display the portraits
of Connecticut Governors and provide exhibit space for items relating
to Connecticut History. The floor is red Moravian tile, and the
walls were covered with heavy, gold silk brocade. The room is
fifty-one feet wide, eighty-five feet long, and thirty-five feet high.
Memorial Hall is now used as the primary exhibition area for the Museum
of Connecticut History.
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"The light comes from
a great central skylight, made of colored glass...Above the skylight
are rows upon rows of electric lights in brilliant reflectors. These
are entirely invisible from the hall itself, and when the lights are turned
on they will flood the room with a radiance like that of the brightest day."
Hartford Courant Dec. 17, 1910 p.
18-19
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Two vaults were installed
on either side of the main entrance for display of the
Mitchelson Coin Collection
and to safely and securely display other important artifacts. The
elaborately carved oak balcony over the entrance is accessible from the
Main Lobby.
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Against the south wall, the original 1662 Charter of the Colony of Connecticut
was, and still is, securely enclosed in its specially constructed vault
under a Gilbert Stuart portrait of George Washington. (The portrait
now hangs in the Old State House)
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Scroll to continue
or select a link below
SUPREME COURT
COURTROOM
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The
Supreme Court
courtroom is forty-three feet wide, fifty-six feet long and thirty-five
feet high, and "running entirely around it is a wainscoting of light oak,
eight feet high, carved with remarkable beauty and showing in the various
panels thirty-four reproductions of the seal of Connecticut...The walls
above the wainscoting are of artificial Caen stone, and studding them at
regular intervals are twelve gold wall lamps. A heavy stone cornice
surmounts the wall and above this, flaming with reds and blues and greens,
and dominated by the gilding, is the cornice with the seal again the chief
design. " Hartford Courant Dec. 17,
1910, p. 18-19. |
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Behind the bench hangs a
mural painted by Albert Herter, The Signing of the Fundamental Orders
of the Constitution
1638-39 |
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| The design for the Court side included
an office suite for each Justice, workspace for their staffs, a robing
room, and several conference rooms. This conference room off of
the Main Lobby featured heavy oak paneling, a lavatory, a fireplace,
and windows along the south wall. |
Scroll to continue
or select a link below
LIBRARY READING
ROOM
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The elaborate Beaux Arts style ceiling is highlighted
with greens, gold, reds, and three central panels painted to resemble the
sky and clouds. It is illuminated by 2 huge, intricately cast chandeliers
and surrounded by 14 smaller chandeliers. The chandeliers were all
attached to winches in the attic so they could be lowered to change the
hundreds of light bulbs.
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| The Hartford Courant described
the ninety foot long, forty-three foot wide, thirty-five foot high Reading
Room as "a strikingly handsome room in which the same massive and brilliant
decorative scheme that characterizes the rest of the building is not departed
from ." Hartford Courant Dec. 17,
1910, p. 18-19 |
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| Protection from fire was a chief concern
of the architects and Mr. Godard. The Art Metal Company from Jamestown,
New York installed 14 foot high steel wainscoting and bookcases around
the perimeter. All the steel was painted and treated to resemble
a richly grained Circassian walnut wood. This view from the west
end of the Reading Room is looking south into Mr. Godard's office.
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| The two tiers of bookcases
lining the southern third of the Reading Room were also steel. Flooring
was red Moravian tile and one-half inch thick cork. The patron tables
are steel and bronze, and feature built in electric lighting and bronze
medallions of the state seal. Patrons were also provided with inkwells,
trashcans and spittoons. |
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| Reading Room table detail |
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Thoughtful design even went
into
the brass doorknobs on the metal
doors, which feature the Seal of
the State of Connecticut.
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| The architects designed intricately
carved window arches for the east Balcony window and elaborate cornices.
They selected Caen Stone for the walls. |
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| Patrons using the Reading Room |
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Originally, only
4 levels of book stacks were completed. The stacks area provided 17,000
linear feet of shelving
and featured an electric book lift and adjustable, all-steel shelves.
Windows lining the south wall of each level, as well as small electric lights,
illuminated the stacks and
thick translucent glass floors served to disperse the light.
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Unfinished Stack Levels,
5, 6, and 7. Doors in the background lead to the stairs by the west elevator
and the railing in the center protects the stairs leading down to completed
stack levels 1-4. Planks cover the openings in the glass floors where
book stacks will be attached in the future. Emergency fire hoses were
installed on each level.
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Scroll to continue
or select a link below
The Ground Floor
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| Guastavino tiling, a fireproof system
of construction was employed to create the vaulted ceiling of
the public areas of the ground floor. Rafael Guastavino developed
this method of vaulting space utilizing the ancient technique of "timbrel"
vaulting. This technique was very popular when the Library was
built and was used in many municipal buildings including Grand Central
Station and the Main Hall at Ellis Island |
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Detail of Guastavino tiling
in the Lower Lobby
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| The cavernous Lower Lobby was
referred to as the "Rathskeller". |
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In the Probate Department, the second
tier of the stack area was surrounded by the railing originally used
in the Library Reading Room in the State Capitol, decorated with bronze
carvings of the State Seal. |
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| The extensive fireproof Probate Vault
on the ground floor featured all metal cabinets and tiled floors and
ceilings. |
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| State Librarian George Godard and his
staff moved their offices to the new building on November 28, 1910.
Godard reflected in his 1910 Annual Report: "We have seen
gradually brought to completion our new State Library and Supreme Court
Building, dignified and beautiful in its architecture, solid and substantial
in its construction, and complete and convenient in its arrangement." |
With grateful appreciation to all
those who helped compile this online exhibit:
Mark Jones, State Archivist;
David Corrigan, Museum of Connecticut History;
and from the State Library, the staff of the History and Genealogy Unit, Carol Trinchitella,
Stephen Slovasky, and Lynne Newell
Nancy Peluso
October 2004